We are happy to announce that we will be bringing a work by Cesare Fracanzano to the new edition of the widespread exhibition Panorama Monopoli, a project created by ITALICS Consortium and curated by Vincenzo de Bellis, associate director and curator for the visual arts at the Walker Art Center in Minneapolis.

“Panorama Monopoli” will be held from Thursday 1st to Sunday 4th September 2022 in Monopoli in the heart of the Apulian Adriatic coast, along the Costa dei Trulli.
The exhibition itinerary of “Panorama Monopoli” embraces the ancient historic center of the Adriatic town and unfolds along a constellation of 20 exhibition spaces, including palaces, churches, squares, votive shrines hidden in the alleys and chiassi, where 70 works from the fifteenth century to today can be found. These include 7 performative works by 60 international artists of different eras, generations and nationalities.
We look forward to seeing you in Monopoli for a new itinerary between art, architecture, antiquity and the contemporary, accompanied by a calendar of in-depth opportunities such as events open to the public, performances and special projects.
“Panorama Monopoli” is created with the patronage of the Ministry of Culture, and the support of the Puglia Region-Department of Tourism, Economy of Culture and Valorisation of the Territory, and the Municipality of Monopoli-Department of Culture and Tourism.
Belmond Ltd. joins ITALICS as main partner to support the activities of the Consortium and “Panorama Monopoli”.
Media partner Il Giornale dell’Arte

L'articolo Panorama Monopoli | September 1 – 4, 2022 sembra essere il primo su Giacometti Old Master Paintings.

Giacometti Old Master Paintings will participate to the new digital edition of TEFAF from September 9–13, 2021, with an invitation-only preview event on September 8, 2021.

Over 250 world-class exhibitors will show up to three artworks that tell a single, compelling story when in conversation with one another.

We are pleased to present a triptych of “Battle Scenes without a Hero” according to the famous formula coined by Saxl. A rare canvas by Aniello Falcone is accompanied on the two sides by two tondi on copper in pendant. The first, also a work by Falcone, is the only pictorial document of the implementation by the master of the precious support; the second is a work by Andrea De Leone, his most loyal pupil and colleague. The first monograph exhibition dedicated to Aniello Falcone – who led a whole school of genre painting specialists such as Salvator Rosa and Domenico Gargiulo, Luca Forte and Paolo Porpora – will be held in the Complesso Monumentale di Donnaregina – Museo Diocesano in Naples (September 28, 2021- January 8, 2022). The three paintings here presented will be featuring on loan in the exhibition.

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L'articolo TEFAF Online | Sep 9-13, 2021 sembra essere il primo su Giacometti Old Master Paintings.

Massimo Listri, Villa de Clario, Livardi, 2021

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L'articolo PANORAMA | Procida, an island-wide exhibition curated by Vincenzo de Bellis | 2 – 5 September 2021 sembra essere il primo su Giacometti Old Master Paintings.

Niccolò Tornioli (Siena 1606-1651 Rome)

Saints Philip and James

Oil on canvas, cm 97×134 | 1645-50

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L'articolo Our artwork for TEFAF ONLINE 2020 sembra essere il primo su Giacometti Old Master Paintings.

Giacometti Old Master Paintings will participate to the first online edition of TEFAF New York, an exclusively digital fair experience featuring one single masterwork per gallery.

Umberto Giacometti is pleased to invite you to pre-register at www.tefaf.com, to take part to the inaugural digital initiative of the most exclusive brand in the market of Old Masters.

L'articolo TEFAF ONLINE New York 2020 sembra essere il primo su Giacometti Old Master Paintings.

TEFAF MAASTRICHT 
MARCH 7 – 15 2020

Stand 376

Luca Ferrari, called Luca da Reggio (Reggio Emilia 1605-1654 Padua)

Arria and Caecina Paetus

Oil on canvas, cm 143×120 | Circa 1645

L'articolo TEFAF Maastricht 2020 sembra essere il primo su Giacometti Old Master Paintings.

Florence, Palazzo Corsini 
21 – 29 SEPTEMBER 2019

Stand 59

Filippo di Liagno, called Filippo Napoletano (Rome 1589-1629)

Dante and Virgil in Hell

Oil on canvas, cm 79×101 | 1619-20

L'articolo Gomp • Biaf 2019 sembra essere il primo su Giacometti Old Master Paintings.

An enormous neo-venetian canvas of the young Luca Giordano, Moses and the brazen serpent (fig. 1), which was owned by the flemish dealer Ian Van Den Eynden and which was cited in the neapolitan diary of T. Puccini.

The first signed prototype of a masterpiece by Luca Ferrari, Arria and Caecina Paetus (fig. 2), of which the composition was already known from a conspicuous series of versions realised together  with the school and copies.

A pair of Flute Players (transverse and recorder, figg. 3-4) accompanies the surprising discovery by Francesca Curti of the name of the so-called Master of the Incredulity of Saint Thomas: Bartolomeo Mendozzi della Leonessa, caravaggesque Italian artist who was pupil of Bartolomeo Manfredi and painted for the Giustiniani and Savoia families, becoming first rector of San Luca Academy and Virtuous of the Pantheon.

The portraits of the Contess of Albany (fig. 5) and of her lover, the famous poet Vittorio Alfieri (fig. 6), signed in the 1800 by François Xavier Fabre.

A mysterious stoic Philosopher meditating on the skull of the Master of the Annunciation to the Shepherds (fig. 7), exemplary product of the trends diffused in neapolitan philosophical circles in 1600s.

A small and unspoilt Adoration of the Magi by Domenico Piola (fig. 8), of unique liveliness of colours and richness of details. 

Two delicious small scene of popular life by Pietro Fabris, a Mother and child in Vomerese costumes and a Family of fishermen in Chiaia (fig. 10), painted with sharp spirit of observation and a vivid depiction of reality.

1) Luca Giordano (Naples 1634-1705)
Moses and the Brazen Serpent
Oil on canvas,cm 181×301
1656-1657
Provenance: Naples, Van den Eynden collection, according to the inventory of the collection compiled by Luca Giordano on 2 December 1688; Naples, noble private collection; Milan, private collection, since 2013
Literature: T. Puccini, Diario napoletano [1783], ed. by E. Spalletti, R. Viale, Tommaso Puccini (1749-1811), Conoscitore delle arti e direttore degli Uffizi, Florence 2014, col. 283 r.; R. Lattuada, Unknown Paintings by Artemisia in Naples, and New Points Regarding her Daily Life and Bottega, in S. Barker, (ed. by), Artemisia Gentileschi in a Changing Light, Turnhout 2017, pp. 187-216, in part. p. 211, fig. 52 e p. 212; G. Porzio, in A.E. Denunzio, G. Porzio, R. Ruotolo, (ed. by), Rubens, van Dyck, Ribera. La collezione di un Principe, exh. cat. (Naples, Palazzo Zevallos Stigliano, 6 Dec. 2018-7 April 2019), Cinisello Balsamo 2018, p. 71
Notes: we are grateful to Prof. Riccardo Lattuada for his essay and Giuseppe Scavizzi for confirming attribution and date of the painting.
 

2) Luca Ferrari, called Luca da Reggio (Reggio Emilia 1605-1654 Padova)
Arria and Caecina Paetus
Oil on canvas, cm 143×120
Circa 1645
Provenance: Cittadella (Padua), Giusti del Giardino collection
Literature: unpublished
Notes: we are grateful to Prof. Massimo Pirondini for confirming the attribution and recognizing the painting as the autograph model of the other known versions.
 

3 – 4) Master of the Incredulity of Saint Thomas, Bartolomeo Mendozzicalled Bartolomeo della Leonessa (Leonessa, Rieti c. 1600-Rome, information available until 1644)
A Flute Player;
A Recorder Player
Both oil on canvas, cm 48×65
Circa 1640
Provenance: Rome, private collection
Literature: unpublished
Notes: we are grateful to Dr. Gianni Papi and Dr. Francesca Curti for their essay on the paintings.
 

5-6) François-Xavier Fabre (Montpellier 1766-1837)
Portrait of Louise of Stolberg-Gedern, Countess of Albany;
Portrait of Vittorio Alfieri
Both oil on canvas, cm 32.5×26
The second signed and dated: “F.X. F./1800.” (lower left)
Provenance: London, private collection
Literature: unpublished.
 

7) The Master of the Annunciation to the Shepherds (active in Naples circa 1630-1650)
A Stoic Philosopher
Oil on canvas, cm 71×58
Circa1635
Provenance: Naples private collection; Naples, La Pinacoteca gallery; London, private collection
Literature: G. De Vito, Juan Do riconfermato, in Ricerche sul ‘600 napoletano, 2003-2004, p. 89, plate III and p. 91; N. Spinosa in Ritorno al barocco da Caravaggio a Vanvitelli, exh. cat. (Naples, 12 Dec. 2009-11 April 2010), I, Naples 2009, p. 101, no. 1.30; C. Volpi, Salvator Rosa (1615-1673) “pittore famoso”, Rome 2014, p. 172, fig. 138
Notes: we are grateful to Prof. Riccardo Lattuada for his essay and Prof. Nicola Spinosa for confirming the attribution of the painting.
 

8) Domenico Piola (Genoa 1628-1703)
The Adoration of the Magi
Oil on canvas, cm 26×33
Circa 1650
Provenance: Rome, private collection
Literature: unpublished
Notes: the painting is unlined, with its original canvas and stretcher. We are grateful to Prof. Daniele Sanguineti for his essay and Dr. Anna Orlando for independently confirming the attribution of the painting.
 

9-10) Pietro Fabris (active in Naples 1756-1779)
A Mother and Child in the Typical Costume of Vomero with a Farmer selling Vegetables on a donkey;
A Family in the Typical Costume of Chjaia fishing near Castel dell’Ovo
Both oil on canvas, cm 39.4×29.2
The first signed: “Fabris. P.” (lower left)
Circa 1775
Provenance: London, private collection
Literature: unpublished.

L'articolo TEFAF Maastricht 2019 sembra essere il primo su Giacometti Old Master Paintings.

TEFAF NEW YORK FALL 2018

OCTOBER 27-31

STAND 374

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L'articolo Gomp at Tefaf New York Fall 2018 sembra essere il primo su Giacometti Old Master Paintings.

Henceforth GOMP shall belong entirely to the Giacometti family. Umberto Giacometti and Paola Decker, together with Laura Auciello, are preparing for the gallery’s American debut in October with an exhibition at the exclusive TEFAF fair in New York.

L'articolo Giacometti Old Master Paintings thanks Miriam Di Penta and is getting ready for New York sembra essere il primo su Giacometti Old Master Paintings.